Rythmes et couleurs
They were and still are used as a tool for meditation and teaching within monasteries and the homes of the faithful
Parisian life – which have spread his work to a wider audience
come il Fuji che domina in alto lo spazio e dona calma alla frenesia del lavoro umano
a representative of international Pop Art
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 48, 1835 vasi Rythmes et couleursBeautiful proof with good contrasts, referable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Reasoned Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York: