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according to an optical effect comparable to the principle of the stenoscope
Hokusai and His School
while the Japanese tradition rather recognizes a yawn
under the auspices of the shōgunate
expresses Hokusai's entire philosophy: the belief that art must go beyond mere reproduction of reality to capture the vital energy of each subject
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 60, 1835 sculture according to an optical effectBeautiful proof with good contrasts, referable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New York:
